In the film, Douglas plays Charlie, a California psychiatric patient recently re-united with his practical-minded daughter, Miranda. A consummate, yet forgivable schemer, Charlie is convinced that the myth of the long lost treasure is no myth at all.

Armed with nothing more than a map and a back-hoe, Charlie allows no obstacle (i.e., the police, the bank, or the six feet of concrete flooring at the local Costco) to get in the way of his dream. It’s an acquired taste at first, but Douglas' antics mask the complexity of a lucid wit. While Charlie can come off as crass at times, one cannot help but appreciate the conviction of his apathy towards the general public.  This sense of personal entitlement is played out beautifully, and reflects a side of Douglas not seen since the critical success, "Wonder Boys."

Composed by David Robbins, the score is simple, yet fittingly humble; punctuated with the blue collar tones of the American Banjo--which seems a perfect compliment to Director Mike Cahill's modest film debut.

Simply put: "King of California" reminds us to pursue happiness; and that, in chaos, therein lies opportunity."

Bravo, Mr. Douglas...